Penny Dreadful Review: ‘No Beast So Fierce’ (Season 3, Episode 6)

As part of my forthcoming book project, I’ve been revisiting the Penny Dreadful series and comics. This included looking back at my online reviews of the show’s third and final season, which I will be posting here over the coming weeks. This post originally appeared on The Victorianist, 10 June 2016. It has been edited and corrected for reposting.

This week’s episode of Penny Dreadful is essentially all about submission and dominance. It takes us on a tour of all the key characters and stories this season, and throws in a few more for good measure. In each story, we are given an example of how characters refused to submit, submitted to easily, or were forced into submission, and the episode then explores the effect this relationship to submission has had on them. Ethan’s refusal to confront his problems has taken over his life. Lily is so scarred by being broken into submission that she is determined to break the men who used her in return. She has been given a new life, but refuses to let the old one truly die. ‘I’ve suffered long and hard to be who I am,’ she tells Frankenstein during his failed kidnapping attempt. ‘I want my scars to show’. Vanessa, physically weak and emotionally fragile, is also paradoxically the strongest. She is not afraid to submit to others, or risk her heart again and again.

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Twilight and Narratives of Immigration (Ten Years Later)

Warning: this week’s post may have been produced under sleep-deprived conditions. It may or may not also have provoked me to revisit the series, and buy Stephanie Meyer’s gender-swapped anniversary edition of Twilight, entitled Life and Death.  Part of my thesis deals with the overtly political aspect of monstrousness. When we make monsters, we often rely on … Read more

The Promises of Monsters

If you’re not too keen on theory, never fear! What I say below is basically a more academic rewriting of this blog post.  Next week I’ll be presenting at a conference called ‘Promises of Monsters’. In my paper, I’ll be looking at the way the Showtime series Penny Dreadful (and other monster mashups) use and abuse certain ‘promises’ … Read more

Anatomy of a Cover

We’re always told that we should never judge a book by its cover, but the truth is that a lot of work goes into making sure we do. A cover generally gives us an immediate idea of the genre, register, and target audience of a book. A good cover will also generate excitement and interest, … Read more

On the Front Lines Between ‘Funny’ and ‘Offensive’

Seeing as today is April Fool’s Day (or April Fools’ Day, as Wikipedia pointedly suggests I should be apostrophising it), and most of the commentary on the day’s festivities seems to border on despair and desperation, I thought it might be fun to post something about the uses and limits of humour. The line between what’s … Read more

The Good, the Bad, and the Book Trailers

Happy World Book Day (a few days late, and also only in the UK and Ireland)! This week’s post will be a short one, because I’ve got a big deadline on Friday that I should be focusing on, but I’ll try to start you off on an interesting trajectory. Naturally, the part of Book Day most people … Read more

What They Do in the Shadows is Basically What We Do, Too

Whatever I had been expecting from vampire mockumentary What We Do in the Shadows, it wasn’t what I got in the end. And I mean that in the best possible way. Where to start? With plot, I suppose, though that may be the least interesting part about this film. What We Do in the Shadows follows a film … Read more

New to the Reading List (11/12/2014)

The second round of the books I ordered from the library have now arrived, and two of them were in hardcover no less. Not something you see every day, and certainly not in the “popular fiction” realm of theory, which tends to be relegated to trade paperback – not too shabby, but not quite as … Read more