‘The Carrier Bag of Feminist Pedagogy: Zine-Making as Training in the Neoliberal University’

A few months back I wrote about a zine-related workshop I was involved in organising. Since that workshop, I have done more work on (and research into) zine practice. Today, that work has resulted in an academic article and Creative Practice piece, published together with Dr Mihaela Brebenel on the Open Access journal MAI: Feminism and Visual Culture. I’m very pleased to have our work up on this journal, and even more excited to be part of an excellent new special issue on ‘Feminist Pedagogies’. Check out the other pieces at this link!

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‘Hugely thought-provoking and enlightening’: review of Gothic Remixed on Sublime Horror

The first review for Gothic Remixed is out on the culture blog Sublime Horror, and I am very excited! In his review Daniel Pietersen suggests that we ‘live in a time of remixes […where] everything seems unpleasantly familiar’. He then explores how Gothic Remixed intervenes in these discussions, highlighting the book’s key arguments and concluding: Gothic … Read more

Penny Dreadful: City of Angels and the ‘opposite’ of Gothic

There’s a new Penny Dreadful series on the horizon! A departure from the original 2014–2016 series in terms of setting and tone (and casting with one or two exceptions), City of Angels will take place in 1930s Los Angeles. Despite our reservations about the ending of Penny Dreadful season 3, many of us working in horror and the gothic have been excited about this new sequel series for months. And last week the first teaser trailer dropped:

The YouTube trailer page describes City of Angels as a ‘spiritual descendant of the original Penny Dreadful story set in Victorian-era London’. And all in all it feels very Penny Dreadful. Strong female protagonist a la Vanessa Ives? Meet Natalie Dormer’s character Magda, this time literally a demon (not just possessed by one). On-the-nose metaphors about humanity’s ‘inner monsters’? Check: in the teaser Magda explains how ‘all mankind needs to become the monster he truly is, is being told he can’. Visually spectacular supernatural period drama? The sets are lush and colourful, despite the weird sepia filter that’s been thrown over the whole show. Magda gets not one, not two, but six fabulous costume changes in the teaser, two with hats that I need immediately. I’m also excited to see a few Penny Dreadful actors back in new roles—in particular Rory Kinnear, whose performances I found some of the most moving in the original series.

More of this please.

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Now in Open Access: ‘Frankenfiction: monstrous adaptations and gothic histories in twenty-first-century remix culture’

Gothic Remixed sold out in the UK on the morning of its official publication. You can still order (and still use my 35% discount code GLR MP8), but will likely have to wait a while before your copy arrives!

While you wait for the book arrive back in stock (or at your local library), you might be pleased to know that the PhD thesis the book is based on has just gone Open Access. ‘Frankenfiction: monstrous adaptations and gothic histories in twenty-first-century remix culture’ is free to download from Cardiff University’s online research portal, ORCA. The thesis was supervised by Professor Ann Heilmann, and examined by Professor Catherine Spooner and Professor Anthony Mandal.

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Discussing Deviance at Winchester School of Art

Photos from the Winchester School of Art launch of Gothic Remixed are now available in this event report on the MA Global Media Management blog. Thank you to everyone who could join us! It was wonderful to celebrate with you, and to hear more about the other book presented at the launch, Fashion Crimes: Dressing for Deviance (ed. Jo Turney)

Image © Dr Estrella Sendra

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Gothic Remixed Publicity and Joint Book Launch (London, 14 November 2019)

Since the publication of Gothic Remixed on 31 October, I have been doing some local publicity. You can read an interview I did with the University of Southampton’s media team at this link. A brief excerpt from the interview is below:

“We have this idea of monsters as ‘others’ and as objects of cult fandom but actually in the last 10-20 years they’re not cult anymore but more mainstream,” Dr de Bruin-Molé explains. “I want people to think about what it means that monsters are now mainstream – is it even possible for a monster, which is inherently peripheral, to be mainstream? What do we do with that? What does that say about our contemporary culture?” [read more here]

On 14 November, The Second Shelf feminist bookshop will also welcome myself and Dr Liz Gloyn to talk about monsters, metamorphoses, and modernity (and for a small launch party). In Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture, I look at what the current popularity of the ‘monster mash’ can reveal about our assumptions regarding originality, monstrosity, authorship, and historiography; Tracking Classical Monsters in Popular Culture takes Liz on a journey around the contemporary world to explore why the monsters of ancient myth continue to survive in our world. Liz and I will read extracts from our books before a short discussion around the continuing power and meaning of monsters.

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Gothic Remixed Now Available!

I’m thrilled to announce the official publication of Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture!

This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. In it, I argue that popular remix creations are the ‘monsters’ of our age, lurking at the limits of responsible consumption and acceptable appropriation. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir’s Flux Machine GIFs.

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‘Technologies of Gender’ Symposium (5 June 2019)

Are you interested in gender and/or technology? I am co-organising an interdisciplinary symposium next week at Winchester School of Art called ‘Technologies of Gender’. It aims to explore the ways in which technology shapes (and is shaped by) our constructions of gender identity, and also to offer a space in which scholars from different fields and faculties can share their perspectives on this topic. Speakers will include artists and industry professionals, as well as academics from the sciences, social sciences, and humanities.

The event is open to all, and lunch will be provided, so please do come along! Registration is free, but you are strongly advised to book ahead, so we can ensure there is enough food for everyone. Click here to access the registration portal.

You will find a brief description of the event and programme below. More information is available at the symposium website.

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Bioethics and the Posthumanities

In UK academia, opportunities for discussion with people working outside your discipline have become increasingly rare. Even rarer is the chance to speak about your research with people from other industries. This is why I was especially eager to attend the ‘Bioethics and the Posthumanities’ workshop on 28th March 2019, which included presentations from researchers in … Read more

GMM Study Visit to the V&A (18 February 2019)

As part of this year’s programme of events under the theme ‘Gendering Technology’, my students on the MA in Global Media Management took a study visit to London’s Victoria & Albert museum. In the morning we visited the special exhibition ‘Videogames: Design/Play/Disrupt’, which was prefaced by an introduction from exhibition curator Marie Foulston. In the afternoon we were introduced to the V&A’s brand new Photography Centre by Dr Mihaela Brebenel.

Introduction by Marie Foulston

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