You still have two weeks to send in an abstract for this fantastic-looking edited collection, under contract with the new University Press of Mississippi’s Horror and Monstrosity Studies Series. The collection is edited by Dr Shantel Martinez.
A new CfP has just come out, for a new entry in Brill’s Neo-Victorian book series. Details below: Contributions are invited for a collection of essays on the theme of Neo-Victorian Decadence planned to appear in Brill’s Neo-Victorian Series in 2022 (www.brill.com/nvic). The volume’s contents will be partly based on papers delivered at an international conference … Read more
Are you interested in gender and/or technology? I am co-organising an interdisciplinary symposium next week at Winchester School of Art called ‘Technologies of Gender’. It aims to explore the ways in which technology shapes (and is shaped by) our constructions of gender identity, and also to offer a space in which scholars from different fields and faculties can share their perspectives on this topic. Speakers will include artists and industry professionals, as well as academics from the sciences, social sciences, and humanities.
The event is open to all, and lunch will be provided, so please do come along! Registration is free, but you are strongly advised to book ahead, so we can ensure there is enough food for everyone. Click here to access the registration portal.
You will find a brief description of the event and programme below. More information is available at the symposium website.
For those who followed the Gothic Bible conference with interest, here’s another CfP that might catch your eye: ‘Of Gods and Monsters’ Texas State University, 4-6 April 2019 San Marcos, TX Judith Halberstam famously claimed that monsters are “meaning machines” that can be used to represent a variety of ideas, including morality, gender, race, and … Read more
Here’s another great-looking conference CfP, for an event at the University of Pennsylvania, from 29-31 March, 2018: Since its inception, the Gothic has been a favorite aesthetic of artists exploring extreme states, whether psychological, political, or numinous, at times of imperial expansion, social protest, world war, global revolution, and government oppression. At the same time, its … Read more
Though I’m not sure whether I’ll be able to submit something to this conference, it looks like a very tempting post-summer project. You can find the original abstract here. SIIBS and The Centre for the History of the Gothic are pleased to announce an interdisciplinary one day conference exploring the theme ‘Gothic Bible’. Since the creation … Read more
Three scholars from Leeds Beckett University are inviting chapter submissions for a new edited collection on gender and horror. The call for papers is below. This edited collection aims to re-examine horror in an era of remakes, reboots and re-imaginings. There have been many developments in the horror genre and whilst much of it has been … Read more
My most recent project is with the Critical Posthumanism Network, a group of scholars who ‘share the conviction that the decentring and critiques of the human implied in posthumanism offer paradigms that speak searchingly of the immediate present and of imminent futures’. I’m very pleased to announce that this project, a written Genealogy of the Posthuman, is … Read more
It’s been less than a year since Penny Dreadful ended dramatically in its third season, but this week brings the announcement of a collection of academic essays dedicated to the show. Edited by Manchester Metropolitan University‘s Jon Greenaway and Stephanie Reid, the collection looks to explore the show’s Gothic and Victorian heritage, as well as its contemporary … Read more
Because I’m clearly not busy enough writing my thesis, or putting together two events (see BAVS 2016 and Fantasies of Contemporary Culture), I am excited to announce that I’ll also be co-editing a special issue of Cardiff University’s Assuming Gender journal. If you guessed that the issue title, ‘Consuming Gender’, was inspired by this year’s BAVS theme, ‘Consuming … Read more