On Tuesday, 16 June 2020 I’ll be talking with British artist David Blandy about his newest work, two specially commissioned videos (How to Fly and How to Live). This online event is hosted by Southampton’s John Hansard Gallery, and I’ll be joined by Jussi Parikka, who is leading and moderating the discussion.
Over the next few weeks the teaching team for the MA in Global Media Management will be sharing short testimonials on our blog, with some loose impressions and images of what it’s been like to teach online during the COVID-19 lockdown. These will appear every Wednesday and Friday—you can find mine below: “The last few … Read more
A new CfP has just come out, for a new entry in Brill’s Neo-Victorian book series. Details below: Contributions are invited for a collection of essays on the theme of Neo-Victorian Decadence planned to appear in Brill’s Neo-Victorian Series in 2022 (www.brill.com/nvic). The volume’s contents will be partly based on papers delivered at an international conference … Read more
Every year the MA in Global Media Management that I teach on sponsors a series of events and talks around a chosen theme. This includes an annual study visit.
This year’s theme was ‘Mobilities’—in the broad sense, but specifically looking at the ways technology, location, embodiment, and identity inform people’s access to and relationship with the wider world. And shortly before the pandemic closures began we took a study visit to London.
Over the last few weeks we’ve all had to come to terms with cancelled trips, gatherings, and celebrations. Many more plans will likely be cancelled over the coming weeks and months. For me the hardest thing hasn’t been the confinement. I’m a homebody anyway, and have grown comfortable with quiet and isolation. For me the hardest thing has been a lack of new stimulus and input. My way of coping with and processing the world involves a lot of wandering and observation, of looking at new things in new spaces, and using them to think about old things in new ways. Now that I live near London, the ever-changing parade of exhibitions and events on offer has been a welcome distraction and balm against the stresses of work and life.
Today I’m the feeling loss of this distraction acutely. As excellent as the internet and my home media library have been, entertainment you have to curate for yourself is never quite the same as entertainment curated for you by others! And it doesn’t offer the same magical feeling a ‘day out’ can grant you. Tate Britain’s Aubrey Beardsley exhibition, for instance, was something I’d been looking forward to for months. Another exhibition I’d been looking forward to was Two Temple Place’s Unbound: Visionary Women Collecting Textiles, which I had planned to visit at the end of March.
Happily, the latter has now started exploring various ways to take women’s textile collections online. The original exhibition set out to celebrate ‘seven pioneering women who saw beyond the purely functional, to reveal the extraordinary artistic, social and cultural importance of textiles’.
A few months back I wrote about a zine-related workshop I was involved in organising. Since that workshop, I have done more work on (and research into) zine practice. Today, that work has resulted in an academic article and Creative Practice piece, published together with Dr Mihaela Brebenel on the Open Access journal MAI: Feminism and Visual Culture. I’m very pleased to have our work up on this journal, and even more excited to be part of an excellent new special issue on ‘Feminist Pedagogies’. Check out the other pieces at this link!
Photos from the Winchester School of Art launch of Gothic Remixed are now available in this event report on the MA Global Media Management blog. Thank you to everyone who could join us! It was wonderful to celebrate with you, and to hear more about the other book presented at the launch, Fashion Crimes: Dressing for Deviance (ed. Jo Turney)
Since the publication of Gothic Remixed on 31 October, I have been doing some local publicity. You can read an interview I did with the University of Southampton’s media team at this link. A brief excerpt from the interview is below:
“We have this idea of monsters as ‘others’ and as objects of cult fandom but actually in the last 10-20 years they’re not cult anymore but more mainstream,” Dr de Bruin-Molé explains. “I want people to think about what it means that monsters are now mainstream – is it even possible for a monster, which is inherently peripheral, to be mainstream? What do we do with that? What does that say about our contemporary culture?” [read more here]
On 14 November, The Second Shelf feminist bookshop will also welcome myself and Dr Liz Gloyn to talk about monsters, metamorphoses, and modernity (and for a small launch party). In Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture, I look at what the current popularity of the ‘monster mash’ can reveal about our assumptions regarding originality, monstrosity, authorship, and historiography; Tracking Classical Monsters in Popular Culture takes Liz on a journey around the contemporary world to explore why the monsters of ancient myth continue to survive in our world. Liz and I will read extracts from our books before a short discussion around the continuing power and meaning of monsters.
Are you interested in gender and/or technology? I am co-organising an interdisciplinary symposium next week at Winchester School of Art called ‘Technologies of Gender’. It aims to explore the ways in which technology shapes (and is shaped by) our constructions of gender identity, and also to offer a space in which scholars from different fields and faculties can share their perspectives on this topic. Speakers will include artists and industry professionals, as well as academics from the sciences, social sciences, and humanities.
The event is open to all, and lunch will be provided, so please do come along! Registration is free, but you are strongly advised to book ahead, so we can ensure there is enough food for everyone. Click here to access the registration portal.
You will find a brief description of the event and programme below. More information is available at the symposium website.
In UK academia, opportunities for discussion with people working outside your discipline have become increasingly rare. Even rarer is the chance to speak about your research with people from other industries. This is why I was especially eager to attend the ‘Bioethics and the Posthumanities’ workshop on 28th March 2019, which included presentations from researchers in … Read more