Gothic Remixed: Coming 3 October 2019

It’s official! Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture is now with Bloomsbury Academic’s production team, and will be coming to a bookshop near you in October. The book is already available to preorder at this link.

If you’re teaching or researching the Gothic, adaptation studies, or popular media, please do consider requesting Gothic Remixed for your library! Alternately, if you have deep pockets you can spring for a hardback edition of your very own (currently retailing at £76.50 on the Bloomsbury website). A paperback edition will hopefully follow shortly.

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Pre-Digital Histories of Remix in the Page Collection

Remix has often been called the first modern art form. Enabled by modern copy-paste technologies, by the wealth of material opened up for recycling by the information age, and by the legal and ethical provisions of fair use, remix has been given a central place in the history of the digital revolution. It has also been hailed as an inherently egalitarian practice, open to anyone with a computer or a pair of scissors, indiscriminate in its mixing of media, its combination of high art with low art, and its appropriation of both proprietary materials and those in the public domain.

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CfP: ‘Neo-Victorianism and the Senses: Sensing the Past’

The University of Surrey (UK) is hosting a one-day conference on Friday 22nd March 2019. Their call for papers closes on 16th December 2018. Keynote Speaker: Professor Rosario Arias, University of Málaga ‘Every sensorial perception is at the same time past and present’ (Hamilakis, 2013). Since the publication of William A. Cohen’s seminal text Embodied: Victorian Literature and … Read more

CfP: (Neo-)Victorian ‘Orientations’ in the Twenty-First Century

University of Málaga (Spain) May 15-17, 2019 Under the auspices of the Research Project “Orientation: Towards a Dynamic Understanding of Contemporary Fiction and Culture (1990s-2000s)” (ref. FFI2017-86417-P), funded by the Spanish Ministry of Economy, Industry and Competitiveness, this conference addresses past, present and future orientations of (neo-)Victorian literature and culture. Ann Heilmann and Mark Llewellyn’s … Read more

Reflections on BAVS 2016

The 2016 British Association for Victorian Studies annual conference, ‘Consuming (the) Victorians’, officially closed at Cardiff University on Friday. Today, I finally put in a full and productive day of work again after a long weekend of post-conference recovery. It’s one thing attending a three-day international conference. It’s a whole different thing organising one. Despite a fantastic … Read more

Consuming (the) Victorians

Today I won’t be posting a new research blog, because I’m busy running the international Victorianist conference ‘Consuming (the) Victorians’ (BAVS 2016). In addition to being a co-organiser, I’m behind all the conference website and social media for the event. So check out our website, look us up on Twitter (@BAVS2016), and see what we’re up to (or … Read more

Dr. Miracle’s Last Illusion

This week’s guest post was written by Daný van Dam, who recently submitted her PhD on postcolonial neo-Victorian fiction at Cardiff University. Together with Megen and with Akira Suwa, she is putting together a special issue of the online journal Assuming Gender on the theme of ‘Consuming Gender’ (submission deadline 16 October 2016, see here). At … Read more

Bustle Envy (Steampunk Meets Sir Mix-a-Lot)

It’s been a rough couple of weeks in the world. You deserve something light and playful to take your mind off it all. Further to my recent post on poetry and cultural appropriation, I though I would gift you with one of the most bizarre and wonderful things I have seen this month – Katherine Stewart’s ‘Lady Got … Read more

Now Reviewing Penny Dreadful for the Victorianist

This post is a teaser for my weekly review series on Penny Dreadful season 3, starting this Friday (6 May) and featured over at the Victorianist. [UPDATE: You can now find my first review in all its glory at this link.] When the first season of Penny Dreadful was announced in 2013, we were unsure what to expect. Initially, it … Read more