Black Lives Matter: Race, Imperialism, and Victorian Studies (BAVS Annual Symposium)

Sara Forbes Bonetta. Brighton, 1862. Photograph: Paul Frecker collection/Library of 19th-Century Photography

This event has been reposted from The Victorianist (the official blog of BAVS PGs). Follow them for the latest news, grants, and events in Victorian Studies.

BAVS Annual Symposium, Tuesday 21 July 2020, 2-6pm (14:00-18:00 BST)

Organised by members of the BAVS executive committee, this online symposium aims to respond to recent Black Lives Matter events, Victorian studies, and questions of race and colonialism in nineteenth-century studies. We aim to utilise this symposium to launch BAVS initiatives that are in process in light of discussions relating to BLM, and in acknowledgement of the problematic role played by Victorian history, art history, and literature in contemporary discourses of race.

This is a free event. Please register here: https://bavsblm.eventbrite.com

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Penny Dreadful Review: ’This World Is Our Hell’ (Season 3, Episode 5)

As part of my forthcoming book project, I’ve been revisiting the Penny Dreadful series and comics. This included looking back at my online reviews of the show’s third and final season, which I will be posting here over the coming weeks. This post originally appeared on The Victorianist, 3 June 2016. It has been edited and corrected for reposting.

After last week’s welcome respite from the grand narrative, Penny Dreadful returns to the story of Ethan Talbot, with a secondary plot that follows Jekyll and Frankenstein in their quest to find a permanent cure for social deviance. Ethan and Hecate are still being pursued by various authority figures, and an uncertain welcome awaits them at their destination. Jekyll and Frankenstein are still working on a way to prolong the effects of Jekyll’s serum, and it seems they may finally have succeeded.

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Penny Dreadful Review: ‘Good and Evil Braided Be’ (Season 3, Episode 3)

As part of my forthcoming book project, I’ve been revisiting the Penny Dreadful series and comics. This included looking back at my online reviews of the show’s third and final season, which I will be posting here over the coming weeks. This post originally appeared on The Victorianist, 20 May 2016. It has been edited and corrected for reposting.

With a third of this season’s nine-episode run now complete, it’s still surprisingly difficult to judge where we should be at this point in Penny Dreadful’s story arc. Season one forced us to slowly stew in dread and suspense until the last few episodes, building up the struggles and motivations of its central characters. Season two jumped straight into supernatural action, then stepped back to let side stories unravel, and plotlines settle into place.

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Gender and Horror (CfP)

Three scholars from Leeds Beckett University are inviting chapter submissions for a new edited collection on gender and horror. The call for papers is below. This edited collection aims to re-examine horror in an era of remakes, reboots and re-imaginings. There have been many developments in the horror genre and whilst much of it has been … Read more

Anonymity and the Privilege of Uncreative Writing

On on August 9, 2014, Michael Brown was shot and killed by a police officer in Ferguson, Missouri. Seven months later, on March 13, 2015, American poet Kenneth Goldsmith sparked an internet controversy when he performed a remixed version of Michael Brown’s autopsy report at the ‘Interrupt 3’ event at Brown University. Recordings of the reading were never … Read more