Photos from the Winchester School of Art launch of Gothic Remixed are now available in this event report on the MA Global Media Management blog. Thank you to everyone who could join us! It was wonderful to celebrate with you, and to hear more about the other book presented at the launch, Fashion Crimes: Dressing for Deviance (ed. Jo Turney)
Since the publication of Gothic Remixed on 31 October, I have been doing some local publicity. You can read an interview I did with the University of Southampton’s media team at this link. A brief excerpt from the interview is below:
“We have this idea of monsters as ‘others’ and as objects of cult fandom but actually in the last 10-20 years they’re not cult anymore but more mainstream,” Dr de Bruin-Molé explains. “I want people to think about what it means that monsters are now mainstream – is it even possible for a monster, which is inherently peripheral, to be mainstream? What do we do with that? What does that say about our contemporary culture?” [read more here]
On 14 November, The Second Shelf feminist bookshop will also welcome myself and Dr Liz Gloyn to talk about monsters, metamorphoses, and modernity (and for a small launch party). In Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture, I look at what the current popularity of the ‘monster mash’ can reveal about our assumptions regarding originality, monstrosity, authorship, and historiography; Tracking Classical Monsters in Popular Culture takes Liz on a journey around the contemporary world to explore why the monsters of ancient myth continue to survive in our world. Liz and I will read extracts from our books before a short discussion around the continuing power and meaning of monsters.
I’m thrilled to announce the official publication of Gothic Remixed: Monster Mashups and Frankenfictions in 21st-Century Culture!
This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. In it, I argue that popular remix creations are the ‘monsters’ of our age, lurking at the limits of responsible consumption and acceptable appropriation. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir’s Flux Machine GIFs.