I’ve been sitting on this review of Leila Taylor’s Darkly: Black History and America’s Gothic Soul for almost a year. It’s not difficult to summarise my feelings—Darkly is a brilliant book. I’ve mainly been unsure how to do it proper justice. Darkly is everything I love about the Gothic as a mode: it contains multitudes. As Taylor writes, ‘Goth alone is too big, too broad’ (20) to capture, and likewise ‘Black contains multitudes…literally. As a pigment it is all colors at once, but black is also the complete absence of all light. Black is […]everything and nothing at the same time’ (83). There are many ways to be a Goth, and to be a Black Goth.
Star Wars, Remix, and the Death of Originality (Part Two)
What follows is part two of a spoiler-free discussion of The Force Awakens (the new Star Wars movie), and its cultural context in science fiction, fandom, and nostalgia culture. You can find part one right here. Last week I started my breakdown of The Force Awakens with the disclaimer that I am a long-time Star Wars fan. I looked at arguments … Read more