Last month I visited the Store Wars: 40 Years of Merchandise exhibition in Hoorn, NL. It was a small, intimate affair that took a loving look at the way Star Wars has affected merchandising and fan practices. A few weeks ago, I took a trip into London for the travelling Star Wars Identities exhibition at the O2 Centre. Despite sharing a broad subject, the two could not have been more different. Identities features a number of original props, costumes, and concept art from the pre-Disney era. In practice this meant I got to see stuff from the original trilogy (1977-1983), the prequel trilogy (1999-2005), and the Clone Wars animated series (2008-2015). The Force Awakens‘ BB-8 also made an appearance.
The exhibition was, perhaps logically, much larger than the one in Hoorn. It also had quite a few more visitors. Tickets had to be booked for specific time slots, and once we arrived we were admitted in groups of 10 to 15. Although you sometimes had to wait a few moments for a path to the next costume or prop to clear, there was plenty of space and time for all of us to enjoy the exhibits—and to take lots of photographs, which almost everyone did.
Exhibits were often grouped by theme: droids, podracers, Jedi, ships. Major characters whose development was especially extensive or technical, like Yoda or Jabba the Hutt, had their own sections. I had no idea that it took so many concepts to arrive at the Yoda we know today. I’m half-relieved that Garden Gnome Yoda didn’t make the final cut, but would also love to see someone edit him into a fan version of Star Wars.
I’m not necessarily a believer in the sacredness of ‘original’ objects, and I won’t say I was paralysed with awe by Luke Skywalker’s jumpsuit, or the mural that hung behind Palpatine’s chair in Revenge of the Sith, but it was pretty amazing to be surrounded by so many objects that made up such a big part of my childhood. I’ve seen Ralph McQuarrie’s art so many times in books that it was somewhat surreal to see the pieces hanging up at an exhibition. Sort of like unexpectedly stumbling across a portrait of a distant relative at the National Portrait Gallery. There were many other great pieces of concept art as well.
The staging and lighting of the exhibits was very well done overall. I won’t lie that Darth Vader’s (or should I say, David Prowse’s?) suit, displayed in all its black glory against neon lights, gave me a little thrill. I was also excited to see the model Slave I and suit of armour belonging to its owner. As a girl I was most interested in the Jedi, but as an adult Boba Fett is my hero. The model Star Destroyer from A New Hope and the AT-AT and Snowspeeder used in the filming of The Empire Strikes Back were also personal favourites.
In addition to being visually stunning, there were a few neat technical aspects to Star Wars Identities as well. Each visitor was given a headset, which would activate when we faced certain exhibits. This let us focus on a particular video or audio clip without any distractions from other corners of the space. It also made me feel a bit like the exhibit was coming to life as I approached.
The highlight of the exhibition from an interactive standpoint, though, was definitely the ‘identities’ component. In addition to their headset, each visit received a bracelet at the start of their tour. When touched to various sensors throughout the exhibition, this bracelet would allow visitors to create their own Star Wars characters through a series of choices. After choosing things like race, appearance, and name, the exhibition takes you through your own Star Wars story—from birth, to crisis, to the ultimate choice between good and evil. At the end of the exhibition you can view the character you created, and e-mail yourself a copy of your character’s story as a memento of your visit.
The exhibition also asked visitors to think about the process of narrative and identity in general. What makes people who they are? What makes a person good or evil? What forces shape the characters of Star Wars, and what forces shape us? While at times this narrative felt a little contrived, it gave visitors of all ages something fun to do while waiting to get a peek at another exhibit.
This is not the exhibition’s first stop, nor will it be the last. Star Wars Identities is at the O2 Centre until 3 September 2017, after which it will set up shop in a new city. If you’re a Star Wars fan near London with £25 to spend (£18 at the concession rate), it’s definitely worth a visit. All in all I spent about two hours looking, reading, and listening.