The second workshop in this year’s Creative Posthumanism series took place on June 1st, 2022. Workshop coordinators Angela YT Chan and Cristina Diamant invited participants to ‘scrapbook the wasteland’. We did so by looking at the mix of extractive practices that (re)produce wastelands, drawing together a variety of materials and theories to “reconfigure the relationship between our own situated embodiments and technological developments from a more-than-human ethical perspective, acknowledging the affect behind our response and confronting the biases that hold us back”.
Are you interested in critical posthumanism and the creative arts? Did you see images from our zine-making workshop and wish you’d been able to join us? Now is your chance! Our next Creative Posthumanism workshop will be on Wednesday, 1st June 2022, from 2-4pm at Winchester School of Art. This week, our theme (and the focus of our collaborative making project) is ‘Scrapbooking the Wasteland—A Posthumanist Terror Management Theory Toolkit’.
This summer I’ll be launching a series of pilot workshops as part of the Creative Posthumanism project, including sessions on zine-making, scrapbooking, and performance art. More news on these sessions will follow soon, but in the meantime I wanted to share a little bit about the rationale behind the project. Humanistic principles underpin key discourses in biology (we are individual entities), psychology (we are individual actors), economics (we are rational actors), law (we are responsible for our actions), art (we are individual authors of human stories), AI research (the goal is to produce computers which “think like us”), medicine (there is a clear idea of a healthy human which we should aim to remain in line with), and ecology (the earth should be optimised for human habitation). In many of these areas, however, the centrality of such thought is being questioned. Critical posthumanism is an academic field of inquiry that deconstructs the human (and humanitarian) impacts of these liberal humanist systems and institutions, particularly in the ways that they have been accelerated and exacerbated by advancing technologies.
It’s been almost a year since I’ve ventured out to a museum exhibition, and more than two since I had the chance to catch one in London. But with delayed research projects on salvage and upcycling kicking off again, and a small but very welcome early career grant from the University of Southampton’s Humanities Faculty, February seemed like the time to take another trip to the Design Museum to visit its exhibition on ‘Waste Age: What can design do?’