Looking for a listen that’s spooky but casual, a slow burn for your morning commute? Then you might be interested in the newest episode from WAKE ISLAND, a bi-weekly podcast hosted by Paul K and David Leo Rice. In it, we have a lovely and wide-ranging chat about the public domain as both an unmarked grave and as a place of rebirth, the tentacular, mashups/remix studies, Twilight, and our current undead state.
The Late Gatsby and the Public Domain
Happy New Year in advance!
This year, a huge collection of literary and artistic works will make their way into the US public domain. Interestingly, this is only the second time this has happened automatically since 1978, when the 1976 Copyright Act came into effect (the first time was January 2020). Garin Pirina at Mental Floss explains how this happened:
Sonny Bono—who was not only half of Sonny and Cher but also the mayor of Palm Springs, California from 1988 to 1992 and a California congressman—is one person who is responsible The Great Gatsby‘s public domain delay. In 1998, Congress passed the Sonny Bono Copyright Term Extension Act, which extends the Copyright Act of 1976. The latter established that works like The Great Gatsby would become public domain 75 years after the date of publication. But the 1998 act extended the publication date for certain works—namely: those published with a copyright notice and with copyright renewed—20 more years, giving The Great Gatsby a total of 95 years copyright protection. (The bill was named for Bono when the law passed the House of Representatives shortly after his death in 1998.)
On 1 January 2021 then, 95 years after its publication, F. Scott Fitzgerald’s The Great Gatsby (1925) will be released into the public domain. This also means that F. Scott Fitzgerald and S. A. Klipspringer’s The Late Gatsby (self-published by Shay K. Azoulay) will finally be eligible for publication in the USA—it is currently only available overseas, where different copyright laws prevail. First published in 2012 (three years after Quirk Books’ Pride and Prejudice and Zombies), The Late Gatsby flew largely under the radar. In the trend of the many literary mashups before it, The Late Gatsby combines Fitzgerald’s text with Klipspringer’s to reveal a dark secret: Jay Gatsby was a vampire.