Since I began working on my PhD thesis (tentatively titled ‘Neo-Historical Monsters: The Use and Abuse of the Literary Past in Remix Culture’) in 2014, I’ve accumulated quite a collection of texts related to monsters, remix, and popular culture. Below you’ll find a regularly-updated (but still woefully incomplete) list of some of the things I’ve been reading.
Suggestions for more reading are very welcome!
Novels
Baugh, Matthew, and Alexandre Dumas, The Vampire Count of Monte Cristo (Franklin, TN: Permuted Press, 2013)
Brown, Eric, and H.G. Wells, The War of the Worlds, Plus Blood, Guts and Zombies (New York: Gallery Books, 2010)
Coleridge, Cook, and Kafka, Franz, The Meowmorphosis, Quirk Classics (Philadelphia, PA: Quirk Books, 2011)
Cook, Nickolas, and Lewis Carroll, Alice in Zombieland (Chicaco, IL: Sourcebooks, 2011)
Czolgosz, W. Bill, and Mark Twain, The Adventures of Huckleberry Finn and Zombie Jim, Blood Enriched Classics (New York: Gallery Books, 2011)
Erwin, Sherri Browning, and Charlotte Brontë, Jane Slayre (New York: Gallery Books, 2010)
Erwin, Sherri Browning, and Charles Dickens, Grave Expectations (New York: Gallery Books, 2011)
Essex, Karen, Dracula in Love (New York: Anchor, 2011)
Gabel, Claudia, and William Shakespeare, Romeo and Juliet and Vampires (New York: Harper Collins Children’s Books, 2010)
Grahame-Smith, Seth, Abraham Lincoln, Vampire Hunter (New York: Grand Central Publishing, 2010)
Grahame-Smith, Seth, and Jane Austen, Pride and Prejudice and Zombies, Quirk Classics (Philadelphia, PA: Quirk Books, 2009)
Grand, Porter, and Louisa May Alcott, Little Women and Werewolves (New York: Del Rey, 2010)
Gray, Sarah, and Emily Brontë, Wuthering Bites (New York: Kensington, 2010)
Hockensmith, Steve, Pride and Prejudice and Zombies: Dawn of the Dreadfuls, Quirk Classics (Philadelphia, PA: Quirk Books, 2010)
———, Pride and Prejudice and Zombies: Dreadfully Ever After, Quirk Classics (Philadelphia, PA: Quirk Books, 2011)
James, Syrie, Dracula, My Love: The Secret Journals of Mina Harker (New York: William Morrow Paperbacks, 2010)
Josephson, Wayne, Emma and the Vampires (Chicaco, IL: Sourcebooks, 2010)
Klipspringer, S.A., and F. Scott Fitzgerald, The Late Gatsby (Amazon.co.uk: Shay K. Azoulay, 2012)
Messina, Lynn, and Louisa May Alcott, Little Vampire Women (New York: HarperTeen, 2010)
Miller, I.J., and Emily Brontë, Wuthering Nights: An Erotic Retelling of Wuthering Heights (New York: Grand Central Publishing, 2013)
Moorat, A.E., Henry VIII: Wolfman (New York: Hodder & Stoughton, 2010)
———, Queen Victoria: Demon Hunter (London: Hodder & Stoughton, 2009)
Nazarian, Vera, and Jane Austen, Mansfield Park and Mummies: Monster Mayhem, Matrimony, Ancient Curses, True Love, and Other Dire Delights, The Supernatural Jane Austen Series, 1 (Los Angeles: Curiosities, 2009)
———, Northanger Abbey and Angels and Dragons, The Supernatural Jane Austen Series, 2 (Los Angeles: Curiosities, 2010)
———, Pride and Platypus: Mr. Darcy’s Dreadful Secret, The Supernatural Jane Austen Series, 3 (Los Angeles: Curiosities, 2011)
Newman, Kim, Anno Dracula (London: Titan Books, 2011 [1992])
———, The Bloody Red Baron (New York: Titan Books, 2012)
Richey, Kevin, Zombie Fairy Tales: The Complete Collection (Charleston: CreateSpace Independent Publishing Platform, 2013)
Sharpe, J.D., Oliver Twisted (London: Electric Monkey, 2012)
Sinclair, Eve, and Charlotte Brontë, Jane Eyre Laid Bare: The Classic Novel with an Erotic Twist (New York: St. Martin’s Griffin, 2012)
Spector, Nicole Audrey, and Oscar Wilde, Fifty Shades of Dorian Gray (New York: Skyhorse Publishing, 2013)
Thomas, Ryan C., and L. Frank Baum, The Undead World of Oz: L. Frank Baum’s The Wonderful Wizard of Oz Complete with Zombies and Monsters (Winnipeg, MB: Coscom Entertainment, 2009)
Winters, Ben H., and Jane Austen, Sense and Sensibility and Sea Monsters, Quirk Classics (Philadelphia, PA: Quirk Books, 2009)
Winters, Ben H., and Leo Tolstoy, Android Karenina, Quirk Classics (Philadelphia, PA: Quirk Books, 2010)
Zingly, Jefferson, and Lewis Carroll, Alice in Monsterland (Seattle, WA: Supermonstermashup, 2011)
Films
The Mummy series (1999-2008)
The League of Extraordinary Gentlemen (2004)
Van Helsing (2004)
Abraham Lincoln, Vampire Hunter (2012)
I, Frankenstein (2014)
Pride and Prejudice and Zombies (2016)
Comic Books
Vampire Hunter D (吸血鬼バンパイアハンター; 1983-present)
Hellsing (ヘルシング ; 1997-2008)
Moore, Alan, and Kevin O’Neill, The League of Extraordinary Gentlemen: Volume I (New York: America’s Best Comics, 2000)
———, The League of Extraordinary Gentlemen: Volume II (New York: America’s Best Comics, 2003)
Television
Buffy the Vampire Slayer (1997-2003)
Mary Shelley’s Frankenhole (2010-2012)
Penny Dreadful (2014-present)
Fine Art
Travis Louie
Dan Hillier
Games
American McGee’s Alice (Rogue Entertainment, Electronic Arts, 2000)
Echo Bazaar (2009)
The Order: 1886 (2015)
Blood borne (2015; Victorian Gothic universe)
Critical Theory
Albertazzi, Daniele, and Duncan McDonnell, ‘Conclusion: Populism and Twenty-First Century Western European Democracy’, in Twenty-First Century Populism: The Spectre of Western European Democracy, ed. by Daniele Albertazzi and Duncan McDonnell (Houndmills, Basingstoke: Palgrave MacMillan, 2008), pp. 217–23
———, ‘Introduction: The Sceptre and the Spectre’, in Twenty-First Century Populism: The Spectre of Western European Democracy, ed. by Daniele Albertazzi and Duncan McDonnell (Houndmills, Basingstoke: Palgrave MacMillan, 2008), pp. 1–14
Armitt, Lucie, Fantasy Fiction: An Introduction (London: Continuum, 2005)
Badmington, Neil, Alien Chic: Posthumanism and the Other Within (London: Routledge, 2004)
———. , ed., Posthumanism (New York: Palgrave, 2000)
Baldick, Chris, In Frankenstein’s Shadow: Myth, Monstrosity, and Nineteenth-Century Writing (Oxford: Clarendon, 1987)
Bird, Kathryn, ‘“Civilised Society Doesn’t Just Happen”: The Animal, the Law, and “Victorian Values” in Kim Newman’s Anno Dracula’, Neo-Victorian Studies, 7 (2014), 1–24
Bould, Mark, ‘Introduction: Rough Guide to a Lonely Planet, From Nemo to Neo’, in Red Planets: Marxism and Science Fiction, ed. by Mark Bould and China Miéville (London: Pluto Press, 2009), pp. 1–26
Bould, Mark, and China Miéville, eds., Red Planets: Marxism and Science Fiction (London: Pluto Press, 2009)
Boym, Svetlana, The Future of Nostalgia (New York: Basic Books, 2001)
Brower, Sue, ‘Fans as Tastemakers: Viewers for Quality Television’, in The Adoring Audience: Fan Culture and Popular Media, ed. by Lisa A. Lewis (London: Routledge, 1992), pp. 163–84
Cattrysse, Patrick, Descriptive Adaptation Studies: Epistemological and Methodological Issues (Antwerp: Garant Publishers, 2014)
Cohen, Jeffrey Jerome, ‘Monster Culture (Seven Theses)’, in Monster Theory: Reading Culture, ed. by Jeffrey Jerome Cohen (Minneapolis, MN: University of Minnesota Press, 1996), pp. 3–25
———, Of Giants: Sex, Monsters, and the Middle Ages (Minneapolis, MN: University of Minnesota Press, 1999)
Cornwell, Neil, The Literary Fantastic: From Gothic to Postmodernism (Hemel Hempstead: Harvester Wheatsheaf, 1990)
Davies, Helen, Gender and Ventriloquism in Victorian and Neo-Victorian Fiction: Passionate Puppets (London: Palgrave Macmillan, 2012)
———, Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show (Basingstoke: Palgrave Macmillan, 2015)
Dendle, Peter J., ‘Monsters and the Twenty-First Century: The Preturnatural in the Age of Scientific Consensus’, in The Ashgate Research Companion to Monsters and the Monstrous, ed. by Asa Simon Mittman and Peter J. Dendle (Farnham: Ashgate, 2013), pp. 437–48
Derrida, Jacques, and Elisabeth Weber, Points…: Interviews, 1974-1994 (Stanford, CA: Stanford University Press, 1995)
Domsch, Sebastian, ‘Monsters against Empire: The Politics and Poetics of Neo-Victorian Metafiction in The League of Extraordinary Gentlemen’, in Neo-Victorian Gothic: Horror, Violence and Degeneration in the Re-Imagined Nineteenth Century (Amsterdam: Rodopi, 2012), pp. 97–121
Ferguson, Christine, ‘Surface Tensions: Steampunk, Subculture, and the Ideology of Style’, Neo-Victorian Studies, 4 (2011), 66–90
de Groot, Jerome, Remaking History: The Past in Contemporary Historical Fictions (London: Routledge, 2016)
———, The Historical Novel (London: Routledge, 2010)
Gunkel, David J., ‘Rethinking the Digital Remix: Mash-Ups and the Metaphysics of Sound Recording’, Popular Music and Society, 31 (2008), 489–510
Hardaway, Elizabeth, ‘“Ourselves Expanded”: The Vampire’s Evolution from Bram Stoker to Kim Newman’, in Blood Is the Life: Vampires in Literature, ed. by Leonard G. Heldreth and Mary Pharr (Madison, WI: Popular Press, 1999)
Heilmann, Ann, and Mark Llewellyn, Neo-Victorianism: The Victorians in the Twenty-First Century, 1999–2009 (New York: Palgrave Macmillan, 2010)
Heins, Marjorie, Not in Front of the Children: ‘Indecency,’ Censorship, and the Innocence of Youth (New York: Hill and Wang, 2001)
Hock-soon Ng, Andrew, ed., Asian Gothic: Essays on Literature, Film and Anime (Jefferson, NC: McFarland & Company, 2008)
Ho, Elizabeth, Neo-Victorianism and the Memory of Empire (London: Continuum, 2012)
Horner, Avril, and Sue Zlosnik, Gothic and the Comic Turn (New York: Palgrave MacMillan, 2005)
Hutcheon, Linda, A Poetics of Postmodernism (New York: Routledge, 1988)
———, Irony’s Edge: The Theory and Politics of Irony (London: Routledge, 1995)
———, The Politics of Postmodernism (London: Routledge, 1995)
Jameson, Fredric, Archaeologies of the Future: The Desire Called Utopia and Other Science Fictions (New York: Verso, 2005)
———, ‘Nostalgia for the Present’, in Postmodernism, Or, The Cultural Logic of Late Capitalism (London: Verso, 1991), pp. 279–96
———, Postmodernism, Or, the Cultural Logic of Late Capitalism (Durham, NC: Duke University Press, 1991)
———, ‘Utopia as Replication’, in Valences of the Dialectic (London: Verso, 2010), pp. 410–34
Jenkins, Henry, Convergence Culture: Where Old and New Media Collide (New York: New York University Press, 2006)
———, ‘Multiculturalism, Appropriation, and the New Media Literacies: Remixing Moby Dick’, in Mashup Cultures, ed. by Stefan Sonvilla-Weiss (New York: Springer, 2010), pp. 98–119
———, Textual Poachers: Television Fans and Participatory Culture, 2nd edn (London: Routledge, 2012)
Jenkins, Henry, Sam Ford, and Joshua Green, Spreadable Media: Creating Value and Meaning in a Networked Culture (New York: NYU Press, 2013)
Khair, Tabish, and Johan Höglund, eds., Transnational and Postcolonial Vampires: Dark Blood (New York: Palgrave Macmillan, 2013)
Kohlke, Marie-Luise, and Christian Gutleben, eds., Neo-Victorian Tropes of Trauma: The Politics of Bearing After-Witness to Nineteenth-Century Suffering (Amsterdam: Rodopi, 2010)
Lessig, Lawrence, Remix: Making Art and Commerce Thrive in the Hybrid Economy (London: Penguin, 2008)
———, The Future of Ideas: The Fate of the Commons in a Connected World (New York: Random House, 2001) <http://the-future-of-ideas.com>
Levina, Marina, and Diem-My T. Bui, ‘Introduction: Toward a Comprehensive Monster Theory in the 21st Century’, in Monster Culture in the 21st Century: A Reader, ed. by Marina Levina and Diem-My T. Bui (New York: Bloomsbury Publishing, 2013), pp. 1–13
———. , eds., Monster Culture in the 21st Century: A Reader (New York: Bloomsbury Publishing, 2013)
Linstead, Stephen, ‘Organizational Kitsch’, Organization, 9 (2002), 657–82
Lockyer, Sharon, and Michael Pickering, eds., Beyond a Joke: The Limits of Humour (New York: Palgrave MacMillan, 2005)
MacCormack, Patricia, ‘Posthuman Teratology’, in The Ashgate Research Companion to Monsters and the Monstrous, ed. by Asa Simon Mittman and Peter J. Dendle (Farnham: Ashgate, 2013), pp. 293–309
Manlove, Colin N., The Impulse of Fantasy Literature (London: Palgrave MacMillan, 1982)
Mazzoleni, Gianpietro, ‘Populism and the Media’, in Twenty-First Century Populism: The Spectre of Western European Democracy, ed. by Daniele Albertazzi and Duncan McDonnell (Houndmills, Basingstoke: Palgrave MacMillan, 2008), pp. 49–64
McLeod, Kembrew, and Peter DiCola, Creative License: The Law and Culture of Digital Sampling (Durham, NC: Duke University Press, 2011)
McNally, David, Monsters of the Market: Zombies, Vampires and Global Capitalism (Chicaco, IL: Haymarket Books, 2012)
Mendlesohn, Farah, The Rhetorics of Fantasy (Middletown, CT: Wesleyan University Press, 2008)
Miéville, China, ‘Cognition as Ideology: A Dielectic of SF Theory’, in Red Planets: Marxism and Science Fiction, ed. by Mark Bould and China Miéville (London: Pluto Press, 2009), pp. 231–48
Mitchell, Kate, History and Cultural Memory in Neo-Victorian Fiction: Victorian Afterimages (Houndmills: Palgrave Macmillan, 2010)
Mittman, Asa Simon, and Peter J. Dendle, eds., The Ashgate Research Companion to Monsters and the Monstrous (Farnham: Ashgate, 2013)
Muddle, Cas, and Cristóbal Rovira Kaltwasser, ‘Populism and (Liberal) Democracy: A Framework for Analysis’, in Populism in Europe and the Americas: Threat or Corrective for Democracy?, ed. by Cas Muddle and Cristóbal Rovira Kaltwasser (Cambridge: Cambridge University Press, 2012), pp. 1–26
———, ‘Populism: Corrective and Threat to Democracy’, in Populism in Europe and the Americas: Threat or Corrective for Democracy?, ed. by Cas Muddle and Cristóbal Rovira Kaltwasser (Cambridge: Cambridge University Press, 2012), pp. 205–22
Navas, Eduardo, ‘Regressive and Reflexive Mashups in Sampling Culture’, in Mashup Cultures, ed. by Stefan Sonvilla-Weiss (New York: Springer, 2010), pp. 157–77
———, Remix Theory: The Aesthetics of Sampling (Wien: Springer, 2012)
Navas, Eduardo, Owen Gallagher, and xtine burrough, ‘Introduction’, in The Routledge Companion to Remix Studies, ed. by Eduardo Navas, Owen Gallagher, and xtine burrough (New York: Routledge, 2015), pp. 1–12
Nealon, Jeffrey T., Post-Postmodernism: Or, the Cultural Logic of Just-in-Time Capitalism (Stanford, CA: Stanford University Press, 2012)
Nelson, Camilla, ‘Jane Austen … Now with Ultraviolent Zombie Mayhem’, Adaptation, 6 (2013), 338–54
Nevins, Jess, A Blazing World: The Unofficial Companion to The League of Extraordinary Gentlemen, Volume Two (Austin, TX: MonkeyBrain, 2004)
———, Heroes and Monsters: The Unofficial Companion to The League of Extraordinary Gentlemen (Austin, TX: MonkeyBrain, 2003)
Newman, Kim, ‘Afterword’, in Anno Dracula (London: Titan Books, 2011 [1992]), pp. 449–56
———, Nightmare Movies: Horror on Screen Since the 1960s, 2nd edn (London: Bloomsbury Publishing, 2011)
Olson, Daniel, 21st-Century Gothic: Great Gothic Novels Since 2000 (Lanham, MD: Scarecrow Press, 2010)
Pasquino, Gianfranco, ‘Populism and Democracy’, in Twenty-First Century Populism: The Spectre of Western European Democracy, ed. by Daniele Albertazzi and Duncan McDonnell (Houndmills, Basingstoke: Palgrave MacMillan, 2008), pp. 15–29
Punter, David, ‘Introduction: The Ghost of a History’, in A New Companion to the Gothic, ed. by David Punter (Oxford: Blackwell Publishing, 2012), pp. 1–10
Raw, Laurence, ‘Introduction: Identifying Common Ground’, in Translation, Adaptation and Transformation (London: Bloomsbury, 2012), pp. 1–20
Rose, Margaret, ‘Extraordinary Pasts: Steampunk as a Mode of Historical Representation’, Journal of the Fantastic in the Arts, 20 (2009), 319–33
Rousselot, Elodie, ‘Introduction: Exoticizing the Past in Contemporary Neo-Historical Fiction’, in Exoticizing the Past in Contemporary Neo-Historical Fiction, ed. by Elodie Rousselot (Houndmills: Palgrave Macmillan, 2014), pp. 1–16
Ryan, Marie-Laure, ‘On the Theoretical Foundations of Transmedial Narratology’, in Narratology beyond Literary Criticism: Mediality, Disciplinarity, ed. by Jan Christoph Meister, Tom Kindt, and Wilhelm Schernus (New York: Walter de Gruyter, 2005), pp. 1–24
Sadoff, Dianne F., Victorian Vogue: British Novels On Screen (Minneapolis, MN: University of Minnesota Press, 2010)
Sanders, Julie, Adaptation and Appropriation (London: Routledge, 2006)
Scott, Suzanne, ‘Fangirls in Refrigerators: The Politics of (In)visibility in Comic Book Culture’, Transformative Works and Cultures, 13 (2013) <http://journal.transformativeworks.org/index.php/twc/article/view/460/384> [accessed 11 November 2015]
Serazio, Michael, ‘The Apolitical Irony of Generation Mash-Up: A Cultural Case Study in Popular Music’, Popular Music and Society, 31 (2007), 79
Shiga, John, ‘Copy-and-Persist: The Logic of Mash-up Culture’, Critical Studies in Mass Communication, 24 (2008), 93–114
Shildrick, Margrit, ‘Chimerism and Immunitas: The Emergence of a Posthumanist Biophilosophy’, in Resisting Biopolitics: Philosophical, Political, and Performative Strategies, ed. by S.E. Wilmer and Audronė Žukauskaitė, Routledge Studies in Contemporary Philosophy (London: Routledge, 2015), pp. 95–109
———, Embodying the Monster: Encoutners with the Vulnerable Self (London: Sage, 2002)
———, ‘Transgressing the Law with Foucault and Derrida: Some Reflections on Anomalous Embodyment’, Critical Quarterly, 47 (2005), 30–46
Sinfield, Alan, Literature, Politics and Culture in Postwar Britain (London: Athlone Press, 1997)
Sinnreich, Aram, Mashed Up: Music, Technology, and the Rise of Configurable Culture (Amherst, MA: University of Massachussetts Press, 2010)
Six, Abigail Lee, and Hannah Thompson, ‘From Hideous to Hedonist: The Changing Face of the Nineteenth-Century Monster’, in The Ashgate Research Companion to Monsters and the Monstrous, ed. by Asa Simon Mittman and Peter J. Dendle (Farnham: Ashgate, 2013), pp. 237–55
Sonvilla-Weiss, Stefan, ‘Introduction: Mashups, Remix Practices and the Recombination of Existing Digital Content’, in Mashup Cultures, ed. by Stefan Sonvilla-Weiss (New York: Springer, 2010), pp. 8–23
———. , ed., Mashup Cultures (New York: Springer, 2010)
Stoker, Gerry, Why Politics Matters: Making Democracy Work (Basingstoke: Palgrave MacMillan, 2006)
Suvin, Darko, Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre (New Haven, CT: Yale University Press, 1977)
Thomas, Tashima, ‘Race and Remix: The Aesthetics of Race in the Visual and Performing Arts’, in The Routledge Companion to Remix Studies, ed. by Eduardo Navas, Owen Gallagher, and xtine burrough (New York: Routledge, 2015), pp. 179–91
Travers, Andrew, ‘An Essay on Self and Camp’, Theory, Culture and Society, 10 (1993), 127–43
Tushnet, Rebecca, ‘Scary Monsters: Hybrids, Mashups, and Other Illegitimate Children’, Notre Dame Law Review, 86 (2011), 2133–56
Vallee, Mickey, ‘The Media Contingencies of Generation Mashup: A Žižekian Critique’, Popular Music and Society, 36 (2013), 76–97
Weinstock, Jeffrey Andrew, ‘Invisible Monsters: Vision, Horror, and Contemporary Culture’, in The Ashgate Research Companion to Monsters and the Monstrous, ed. by Asa Simon Mittman and Peter J. Dendle (Farnham: Ashgate, 2013), pp. 275–89
Weldes, Jutta, ‘Popular Culture, Science Fiction, and World Politics: Exploring Intertextual Relations’, in To Seek Out New Worlds: Science Fiction and World Politics, ed. by Jutta Weldes (London: Palgrave Macmillan, 2003), pp. 1–22
Williamson, Milly, The Lure of the Vampire: Gender, Fiction and Fandom from Bram Stoker to Buffy (London: Wallflower Press, 2005)
Wolf-Meyer, Matthew, ‘The World Ozymandias Made: Utopias in the Superhero Comic, Subculture, and the Conservation of Difference’, Journal of Popular Culture, 36 (2003), 497–517
Van Wolputte, Steven, ‘Hang on to Your Self: Of Bodies, Embodiment, and Selves’, Annual Review of Anthropology, 33 (2004), 251–69
Web Articles
Alderman, Naomi, ‘Buffy the Vampire Slayer: The Legacy of the Teen Heroine’, BBC News, 2013 <http://www.bbc.com/news/entertainment-arts-25494967> [accessed 14 September 2014]
Anders, Charlie Jane, ‘Literary Mashups Meet Tentacles. Has All Of Western Literature Been Leading Up To This’, io9, 2009 <http://io9.com/5315301/literary-mashups-meet-tentacles-has-all-of-western-literature-been-leading-up-to-this> [accessed 10 September 2014]
Anderson, Sam, ‘Sussex Chainsaw Massacre: The Horrification of Jane Austen’, New York Review of Books, 2009 <http://nymag.com/arts/books/reviews/58847/> [accessed 10 September 2014]
[Anonymous], ‘Wuthering Bites – A Review’, Brontë Blog, 2010 <http://bronteblog.blogspot.com/2010/10/wuthering-bites-review.html> [accessed 4 August 2015]
Aurthur, Kate, ‘This Is What Black People Watch (And Don’t Watch) On Premium Cable’, Buzzfeed, 2014 <http://www.buzzfeed.com/kateaurthur/african-american-viewers-premium-cable-ratings#.siJzdqpg4> [accessed 18 December 2015]
Babcock, Ben, ‘Sense and Sensibility and Sea Monsters’, GoodReads, 2010 <https://www.goodreads.com/review/show/111493230> [accessed 10 September 2014]
Bowman, Donna, ‘Jane Austen and Seth Grahame-Smith: Pride And Prejudice And Zombies’, The A.V. Club, 2009 <http://www.avclub.com/review/jane-austen-and-seth-grahame-smith-ipride-and-prej-26559> [accessed 10 September 2014]
Collis, Clarke, ‘“Pride and Prejudice and Zombies” Author Talks about His Literary Monster Mash-Up’, Entertainment Weekly, 2009 <http://www.ew.com/article/2009/02/21/monster-mash-up> [accessed 16 September 2015]
Conover, Stuart, ‘Behind The Scenes Video Blog Of “Penny Dreadful” Gives A Feeling For The Show’, ScienceFiction.com, 2014 <http://sciencefiction.com/2013/12/16/behind-scenes-video-blog-penny-dreadful-gives-feeling-show/> [accessed 24 September 2015]
Crown, Sarah, ‘What the Booker Prize Really Excludes’, The Guardian, 2011 <http://www.theguardian.com/books/booksblog/2011/oct/17/science-fiction-china-mieville> [accessed 10 September 2014]
Daniels, Nia, ‘Showrunner John Logan: “To Me, Penny Dreadful Is a Dance with Eva Green”’, The Knowledge, 2015 <http://www.theknowledgeonline.com/the-knowledge-bulletin/post/2015/08/27/showrunner-john-logan-to-me-penny-dreadful-is-a-dance-with-eva-green> [accessed 22 November 2015]
Deahl, Rachel, ‘Quirk Has Unlikely Hit with Jane Austen-Zombie Mash-Up’, Publishers Weekly, 2009 <http://web.archive.org/web/20100302075649/http://www.publishersweekly.com/article/409276-Quirk_Has_Unlikely_Hit_with_Jane_Austen_Zombie_Mash_up.php> [accessed 12 April 2014]
Gibson, William, ‘God’s Little Toys: Confessions of a Cut & Paste Artist’, WIRED Magazine, 2005 <http://archive.wired.com/wired/archive/13.07/gibson.html> [accessed 14 January 2015]
Goldberg, Matt, ‘Panorama Media Joins Stalled Adaptation of Pride and Prejudice and Zombies’, Collider, 2013 <http://collider.com/pride-prejudice-zombies-panaroma-media/> [accessed 10 March 2015]
Gordillo, Gastón, ‘The Killable Horde’, Space and Politics, 2014 <http://spaceandpolitics.blogspot.ca/2014/09/the-killable-horde.html> [accessed 14 September 2014]
Grossman, Lev, ‘Zombies Are the New Vampires’, Time, 2009 <http://www.time.com/time/magazine/article/0,9171,1890384,00.html?imw=Y> [accessed 10 September 2014]
Halford, Macy, ‘Jane Austen Does the Monster Mash’, The New Yorker, 2009 <http://www.newyorker.com/books/page-turner/jane-austen-does-the-monster-mash> [accessed 4 August 2015]
Harron, Mary, ‘The Risky Territory Of “American Psycho”’, The New York Times, 2000 <http://www.nytimes.com/2000/04/09/movies/film-the-risky-territory-of-american-psycho.html> [accessed 7 August 2015]
Harvison, Anthony, ‘Pride and Prejudice and Zombies Review and Seth Grahame-Smith Interview’, Den of Geek, 2009 <http://www.denofgeek.com/books-comics/5872/pride-and-prejudice-and-zombies-review-and-seth-grahame-smith-interview> [accessed 16 September 2015]
Hendrix, Grady, ‘Vampires Suck: Actually, They Don’t. And That’s the Problem’, 2009 <http://www.slate.com/id/2223486/>
Hesse, Monica, ‘Zombie? Let Austen Flesh It Out’, The Washington Post, 2009 <http://www.washingtonpost.com/wp-dyn/content/article/2009/04/16/AR2009041604348.html> [accessed 10 September 2014]
Itzkoff, Dave, ‘The Latest Jane Austen Mashup: “Sense and Sensibility and Sea Monsters”’, ArtsBeat (New York Times), 2009 <http://artsbeat.blogs.nytimes.com/2009/07/15/the-latest-jane-austen-mashup-sense-and-sensibility-and-sea-monsters/?_r=0> [accessed 4 August 2015]
Jen, Guy, ‘Book Review: Jane Slayre’, Geeks of Doom, 2010 <http://www.geeksofdoom.com/2010/04/22/book-review-jane-slayre> [accessed 4 August 2015]
Karthauser, Kyle, ‘The Awesome, or the Metamodern Sublime’, Notes on Metamodernism, 2011 <http://www.metamodernism.com/2011/10/28/the-awesome-or-the-metamodern-sublime/> [accessed 17 November 2014]
Kaufmann, Nicholas, ‘Nothing New Under the Sun’, The Internet Review of Science Fiction, 2009 <http://www.irosf.com/q/zine/article/10613> [accessed 4 August 2015]
Kellogg, Carolyn, ‘“Pride and Prejudice and Zombies” by Seth Grahame-Smith’, BBC News, 2009 <http://www.latimes.com/entertainment/la-et-zombies4-2009apr04-story.html> [accessed 14 September 2014]
Logan, John, ‘Penny Dreadful: The Literary Origins’, YouTube, 2014 <https://www.youtube.com/watch?v=UlfPyW1A__Q> [accessed 25 September 2015]
Lyall, Sarah, ‘Pride, Prejudice, Promotion? Mr. Darcy Rising’, The New York Times, 2013 <http://www.nytimes.com/2013/07/10/arts/design/pride-prejudice-promotion-mr-darcy-rising.html> [accessed 19 April 2015]
Mattin, David, ‘Trendspotter: Mash-up Literature’, The National (Arts & Lifestyle), 2012 <http://www.thenational.ae/arts-culture/books/trendspotter-mash-up-literature> [accessed 4 August 2015]
Miéville, China, ‘Are Literary Mashups the next Big Thing?’, BBC News, 2012 <http://www.bbc.com/news/entertainment-arts-19359570> [accessed 24 September 2015]
Moore, Alan, ‘Alan Moore Talks – 03 – League Of Extraordinary Gentlemen’, YouTube, 2007 <https://www.youtube.com/watch?v=qtDphCDULeQ> [accessed 25 September 2015]
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