Monsters, mashups, and popular culture
Salvagepunk is an idea and framework I’ve been toying with for a couple of weeks, and which I borrow loosely from Evan Calder Williams’ Combined and Uneven Apocalypse (2011). In this book, Calder Williams looks at the way apocalyptic fantasies function in late capitalist culture. Salvagepunk is a useful way to approach other modes of cultural production as well, … Read more
It’s been a rough couple of weeks in the world. You deserve something light and playful to take your mind off it all. Further to my recent post on poetry and cultural appropriation, I though I would gift you with one of the most bizarre and wonderful things I have seen this month – Katherine Stewart’s ‘Lady Got … Read more
On on August 9, 2014, Michael Brown was shot and killed by a police officer in Ferguson, Missouri. Seven months later, on March 13, 2015, American poet Kenneth Goldsmith sparked an internet controversy when he performed a remixed version of Michael Brown’s autopsy report at the ‘Interrupt 3’ event at Brown University. Recordings of the reading were never … Read more
Earlier this year I posted a selection of book trailers for monster mashup titles in honour of World Book Day (…in the UK and Ireland). This week I’ve been doing some research into several YouTube productions, and thought I’d take the opportunity to do a second instalment. This time, instead of trailers for actual books, I’ve … Read more
This post is a teaser for my weekly review series on Penny Dreadful season 3, starting this Friday (6 May) and featured over at the Victorianist. [UPDATE: You can now find my first review in all its glory at this link.] When the first season of Penny Dreadful was announced in 2013, we were unsure what to expect. Initially, it … Read more
This post originally appeared on the Victorianist, the postgraduate blog of the British Association for Victorian Studies, on 22 April 2016. It is reposted here with the kind permission of the editors. I have long been a fan of photomanipulation. I like the way it disturbs our preconception of the photograph as a faithful representation of reality. It’s an … Read more
Last week, the first teaser trailer for Rogue One: A Star Wars Story hit the internet. If you somehow managed to miss it, you can watch it below. ScreenRant also has a great breakdown of the trailer here, as does io9 here, if you aren’t in a place where you can watch YouTube videos. Scheduled for release in … Read more
‘These forgotten images and discarded memories re-write a gorgeously dark period of history, one full of elephant men and taxidermy, death and medicine. The resulting pieces are like postcards coming from Beardsley from a Victorian mansion – if the mansion was populated by circus freaks and Werner Herzog.’ (Dazed and Confused Magazine, April 2007) A … Read more
Calling all fans, acafans, and anti-fans! I’m currently wrapping up a draft of my thesis that looks at the way intertextuality functions in the monster mashup. I argue that it revives the past in a very specific (and monstrous) way, while at the same time having wider implications for studies in historical fiction, adaptation, and remix culture more broadly. … Read more
NOTE: This review contains minor spoilers for Jane Austen’s Pride and Prejudice (1813), Seth Grahame-Smith’s Pride and Prejudice and Zombies (2009), and Lionsgate’s Pride + Prejudice + Zombies (2016). Proceed at your own risk. Last week I finally made it to see Pride + Prejudice + Zombies, the film adaptation of a historical monster mashup that I’ve written a lot about, Seth … Read more